This collection critically examines the multifaceted work of Vernon Lee, a prominent figure in the Decadence movement, exploring her contributions to aesthetics and ethics. Catherine Maxwell's work delves into Lee's diverse interests through a chronological analysis of key pieces, including Euphorion, Hauntings: Fantastic Stories, and Music and Its Lovers. The book also illuminates Lee's significant relationships with contemporaries such as her brother, Eugene Lee-Hamilton, Walter Pater, and Bernard Berenson, offering new perspectives on her intellectual circle and artistic development.

This collection is recognized for its comprehensive exploration of Vernon Lee's significant contributions to literary and aesthetic thought. The essays offer original critical perspectives on her diverse body of work, providing valuable insights into her engagement with decadence and ethics. By examining her relationships with influential contemporaries, the book situates Lee within her historical and intellectual milieu. The chronological organization further enhances the reader's understanding of her intellectual development and artistic output.