This collection investigates how the philosophical concepts of Gilles Deleuze and Félix Guattari can be applied to contemporary artistic and cultural expression. Brian Massumi, a prominent scholar of affect theory and Deleuzian thought, assembles a series of essays from various contributors to examine the intersection of philosophy and creative practice. The text argues that art functions not as a representation of reality, but as a productive force that generates new modes of thought and sensation.

Experts recognize this volume as a significant contribution to the secondary literature on Deleuze and Guattari, particularly for its focus on practical application. Readers frequently note the academic density of the prose, which assumes a high level of familiarity with continental philosophy.