
Enchantment And Creed In The Hymns Of Ambrose Of Milan Offers The First Critical Overview Of The Hymns Of Ambrose Of Milan In The Context Of Fourth-century Doctrinal Song And Ambrose's Own Catechetical Preaching. Brian P. Dunkle, Sj, Argues That These Settings Inform The Interpretation Of Ambrose's Hymnodic Project. The Hymns Employ Sophisticated Poetic Techniques To Foster A Pro-nicene Sensitivity In The Bishop's Embattled Congregation. After A Summary Presentation Of Early Christian Hymnody, With Special Attention To Ambrose's Latin Predecessors, Dunkle Describes The Mystagogical Function Of Fourth-century Songs. He Examines Ambrose's Sermons, Especially His Catechetical And Mystagogical Works, For Preached Parallels To This Hymnodic Effort. Close Reading Of Ambrose's Hymnodic Corpus Constitutes The Bulk Of The Study. Dunkle Corroborates His Findings Through A Treatment Of Early Ambrosian Imitations, Especially The Poetry Of Prudentius. These Early Readers Amplify The Hymnodic Features That Dunkle Identifies As Enchanting, That Is, Enlightening The Eyes Of Faith.
This study investigates how the hymns of Ambrose of Milan functioned as both theological tools and pedagogical instruments to foster Pro-Nicene orthodoxy within his fourth-century congregation. Brian P. Dunkle, a Jesuit scholar, utilizes a combination of historical analysis, liturgical study, and literary criticism to examine the intersection of Ambrose's hymnody and his catechetical preaching. By situating these hymns within the broader context of early Christian song, Dunkle argues that Ambrose employed specific poetic techniques to shape the faith and doctrinal understanding of his listeners. The work posits that these hymns served a mystagogical purpose, intended to enlighten the 'eyes of faith' among the faithful during a period of intense theological conflict.
What You Will Find
Scope Limits
Scholars in the field of patristics and liturgical history recognize this work as a significant contribution to the understanding of fourth-century religious practice. Experts frequently highlight the text for its rigorous integration of poetic analysis with theological history, making it a valuable resource for those studying the development of early Christian liturgy.
Page Count:
312
Publication Date:
2016-01-01
Publisher:
Oxford University Press
ISBN-10:
0191092355
ISBN-13:
9780191092350
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