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Rome was a building site for much of its history, a city continually reshaped and reconstituted in line with political and cultural change. In later times, the conjunction of ruins and rebuilding lent the cityscape a particularly fascinating character, much exploited by artists and writers. This layering and changing of vistas also finds expression in the literary tradition, from classical times right up to the twenty-first-century. This collection of essays offers glimpses, sideways glances and unexpected angles that open up Rome in its widest possible sense, and explores how the visible components of Rome - the hills, the Tiber, the temples, the Forums, the Colosseum, the statues and monuments - operate as, or become, the sites/sights of Rome.The analyses are informed by contemporary critical thinking and draw on ancient historical narrative, Roman poetry, Renaissance literature and cartography, art of the Grand Tour era, Russian and Soviet interpretations, and twentieth-century cinema.
This collection investigates how the physical and symbolic landscape of Rome has been continuously constructed, interpreted, and reimagined through history. The editors, David H. J. Larmour and Diana Spencer, curate a series of essays that examine the city as a dynamic site of political and cultural transformation. By synthesizing diverse disciplinary perspectives, the authors argue that Rome's identity is defined by the tension between its ancient ruins and its persistent state of architectural and literary evolution.
What You Will Find
Scope Limits
Scholars and critics recognize this work as a sophisticated interdisciplinary study that bridges the gap between classical studies and modern cultural theory. Readers frequently note the academic density of the prose, which is best suited for those with a background in humanities or urban history.
Page Count:
450
Publication Date:
2007-01-01
Publisher:
Oxford University Press
ISBN-10:
019152719X
ISBN-13:
9780191527197
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