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This is a long-awaited reissue of Jerrold Levinson's 1990 book Music, Art, and Metaphysics, which gathers together the writings that made him a leading figure in contemporary aesthetics. Most of the essays are distinguished by a concern with metaphysical questions about artworks and their properties, but other essays address the problem of art's definition, the psychology of aesthetic response, and the logic of interpreting and evaluating works of art. The focus of about half of the essays is the art of music, the art of greatest interest to Levinson throughout his career. Many of the essays have been very influential, being among the most cited in contemporary aesthetics and having become essential references in debates on the definition of art, the ontology of art, emotional response to art, expression in art, and the nature of art forms.
This collection investigates the fundamental metaphysical nature of artworks and the logical frameworks required to define, interpret, and evaluate aesthetic objects. Jerrold Levinson, a prominent figure in contemporary aesthetics, compiles his influential essays to address the ontological status of art. The text synthesizes analytical philosophy with specific inquiries into the psychology of aesthetic response and the unique properties inherent in musical compositions.
What You Will Find
Scope Limits
Experts recognize this collection as a foundational text in contemporary aesthetics, frequently citing its contributions to the ontology of art. Readers often note the high level of academic density and the rigorous analytical approach applied to complex philosophical problems.
Page Count:
440
Publication Date:
2011-01-01
Publisher:
OUP Oxford
ISBN-10:
0191615781
ISBN-13:
9780191615788
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