
The stunning masterpieces of Ancient Greece and Rome are fundamental to the story of art in Western culture and to the origins of art history. The expanding Greek world of Alexander the Great had an enormous impact on the Mediterranean superpower of Rome. Generals, rulers, and artists seized, imitated, and re-thought the stunning legacy of Greek painting and sculpture, culminating in the greatest art-collector the world had ever seen: the Roman emperor Hadrian.This exciting new look at Classical art starts with the excavation of the buried city of Pompeii, and investigates the grandiose monuments of ancient tyrants, and the sensual beauty of Apollo and Venus. Concluding with that most influential invention of all, the human portrait, it highlights the re-discovery of Classical art in the modern world, from the treasure hunts of Renaissance Rome to scientific retrieval of artworks in the twenty-first century.
This book investigates the complex relationship between the artistic legacies of Ancient Greece and Rome and their enduring influence on Western cultural history. Authors Mary Beard and John Henderson, both distinguished scholars in the field of classics, utilize a combination of archaeological evidence and historical analysis to challenge traditional narratives of art history. They argue that the transition from Greek to Roman art was not merely a process of imitation, but a dynamic exchange shaped by political power, conquest, and the evolving concept of the human portrait.
What You Will Find
Scope Limits
Experts and academics frequently cite this work for its accessible yet rigorous approach to the complexities of the Classical period. Readers often note that the prose balances scholarly depth with a narrative style that makes the history of art approachable for both students and general enthusiasts.
Page Count:
304
Publication Date:
2001-07-19
Publisher:
Oxford University Press
ISBN-10:
0192842374
ISBN-13:
9780192842374
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