
'cadence' Is A Comprehensive Examination Of How Formal Units In European Art Music Of The Tonal Era Achieve Closure. The Book Brings Together The Author's Decades-long Investigations Into Cadence, A Compositional Device That Is Readily Experienced Both By Musicians And Non-musicians, But One That Has Proven Intractable To Clear And Precise Theoretical Formulation. Rooted In Caplin's Broader Theory Of Formal Functions, The Book First Develops Concepts Of Cadence For Music Of The High Classical Style And Then Extends These Ideas To Gauge Cadential Practice In Earlier And Later Style Periods. Throughout The Study, Various Manifestations Of Cadence Are Defined In Terms Of Their Morphology (their Harmonic And Melodic Profiles) As Well As Their Function (the Specific Formal Contexts In Which They Are Deployed). William E. Caplin. Includes Bibliographical References And Index.
This book investigates the theoretical definition and formal function of the cadence within European tonal music. William Earl Caplin, a prominent music theorist, utilizes his established theory of formal functions to provide a rigorous framework for understanding how musical units achieve closure. By synthesizing decades of research, the author addresses the historical difficulty of defining cadences, moving beyond subjective experience to establish precise harmonic and melodic criteria.
What You Will Find
Scope Limits
Experts recognize this work as a definitive contribution to the study of musical form and harmonic closure. Readers frequently note the academic density of the prose, which serves as a foundational text for advanced students and scholars of music theory.
Page Count:
0
Publication Date:
1900-01-01
Publisher:
Oxford University Press,
ISBN-10:
0190056479
ISBN-13:
9780190056476
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