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The term "popular music" indicates all musical forms that are easy to listen to, not committed and do not need particular ability to be enjoyed. Produced by a specific area of the cultural industry to be commercialized and put on the market with appropriate issues, it is the integrating part of the cultural industry scene in all its complex — from the live shows to the films, television and radio formats — representing, in perennial synergy with the same cultural industry, the "sound track" of the industrial and post-industrial era. While music and songs have an ancient cultural history — except singular and exceptional experiments, besides the process of immediate and temporary performances — the technology that supports its reproduction is instead relatively recent.
The book investigates the definition and cultural significance of popular music within the industrial and post-industrial eras. The author, Rosa Viscardi, explores how popular music, characterized by its accessibility and commercial intent, functions as an integral component of the cultural industry. It analyzes the synergy between music, live performances, and media formats like film, television, and radio, positioning popular music as the soundtrack to modern society. The text also touches upon the historical evolution of music reproduction technologies in contrast to the ancient cultural history of music itself.
The book positions popular music as a product of the cultural industry, designed for broad accessibility and commercial appeal. It highlights the pervasive influence of popular music across various media platforms, from live concerts to film and broadcast. The text contrasts the relatively recent technological advancements in music reproduction with the ancient history of musical expression. The author's analysis suggests that popular music serves as a defining cultural element of the industrial and post-industrial periods.
Page Count:
414
Publication Date:
2004-01-01
ISBN-10:
8824484956
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