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There have not been many studies conducted focusing on women's issues in this region specifically. The essays by various contributors in this book make for a very interesting read for the general reader as well as scholars as it gives a variety of different looks at women in performing arts and the politics around them. The book will be a useful resource for libraries as well. Tehrik-e-Niswan, founded in 1979 by Sheema Kermani, strives to empower women in Pakistan and improve their lot through the use of drama and the performing arts. The Tehrik held a Conference in Karachi in December 2010, aimed at rethinking issues of gender, performance, and politics in South Asia. The present volume is the outcome of the Conference and is based on papers presented by scholars therein. In Pakistan today, the scholarly challenge exists to represent the multiple layers of Pakistan's history in order to bring the country out of the security studies/Islamic threat model that has become the paradigm within which Pakistan Studies are constantly placed.
This volume investigates the intersection of gender, political agency, and the performing arts within the complex socio-political landscape of contemporary Pakistan. The editors, including scholar Kamran Asdar Ali and activist Sheema Kermani, compile research presented at a 2010 conference to challenge the prevailing 'security studies' paradigm that dominates Western academic discourse on the region. By shifting the focus from geopolitical threat models to the lived experiences of women and artists, the contributors provide a multi-layered analysis of how cultural performance serves as a mechanism for social resistance and the preservation of human dignity.
What You Will Find
Experts identify this collection as a significant contribution to the field of Pakistan Studies, particularly for its effort to diversify the narrative beyond security-focused geopolitics. Scholars and students of gender studies frequently note the text's utility in providing a nuanced look at the cultural history of South Asian performance art.
Page Count:
470
Publication Date:
2015-01-01
Publisher:
Oxford University Press
ISBN-10:
0199401926
ISBN-13:
9780199401925
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