This book investigates the complex and often contradictory ways Africa has been represented in English-language films from the early 20th century to the present. Kenneth M. Cameron, drawing on over four hundred films, analyzes how these cinematic portrayals have ranged from serious social commentary to sensationalized adventure, often reflecting European and American projections onto the continent. The work examines themes of racism, sexism, classism, nationalism, imperialism, and pan-Africanism, exploring the dual legacy of films that both reinforce and challenge colonialist and racist ideologies. Cameron's analysis highlights the evolving, albeit frequently biased, cinematic dialogue surrounding Africa during a period of significant global transition.

The book offers a comprehensive survey of how Africa has been depicted in English-language cinema, providing a critical lens through which to view these representations. It is noted for its exploration of the multifaceted themes present in these films, from overt racism to subtle challenges to colonial narratives. The author's prose is described as fluid and amusing, making complex analyses accessible. This work serves as a significant contribution to understanding the intersection of film, culture, and postcolonial discourse.