This book investigates the historical significance and content of The Gramophone Company's recordings made in Persia between 1899 and 1934. Michael S. Kinnear, an established music historian with a focus on early sound recording and world music, draws upon extensive archival research to present a comprehensive catalog and analysis of these unique sonic artifacts. The work aims to illuminate the cultural exchange and musical landscape of Persia during a pivotal period of technological and social change, as documented through the nascent medium of recorded sound.

This scholarly work is recognized for its meticulous research into a niche but culturally significant area of music history. It is valued by specialists in sound archives, ethnomusicology, and the history of the Middle East for its comprehensive cataloging and detailed historical context. The book serves as an essential reference for understanding the early development of the recording industry in Persia and its impact on local musical traditions.