This book investigates the concept of invisibility within the realms of drama, theater, and performance. Andrew Sofer, drawing on his expertise in theater studies, examines how invisibility is constructed, perceived, and utilized as a dramatic device. The work analyzes various theatrical traditions and theoretical frameworks to understand the multifaceted nature of presence and absence on stage, exploring how what is not seen can be as powerful as what is.

This work is positioned as a scholarly examination of a specific theoretical concept within performance studies. Its focus on 'invisibility' suggests a deep dive into critical theory and historical analysis, likely appealing to academics and students in theater and performance disciplines. The book's approach is expected to be analytical and text-based, offering a nuanced perspective on how absence functions within dramatic structures.