This collection investigates the intersection of gender, sexuality, and musical performance within the historical context of early music. Todd C. Borgerding compiles a series of scholarly essays that examine how historical social constructs influenced musical composition, performance practice, and the reception of works from the medieval to the early modern period. By analyzing primary source documents and musical scores, the contributors argue that gender roles were not merely reflected in music but were actively negotiated and reinforced through performance.

Experts recognize this volume as a significant contribution to the field of gendered musicology, providing essential context for understanding early performance traditions. Readers frequently note the academic density of the prose, which is intended for scholars and advanced students of music history.