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In this book Richard Eldridge presents a clear and compact survey of philosophical theories of the nature and significance of art. Drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism, he explores the representational, expressive, and formal dimensions of art, and he argues that works of art present their subject matter in ways that are of enduring cognitive, moral, and social interest. His discussion, illustrated with a wealth of examples, ranges over topics such as beauty, originality, imagination, imitation, the ways in which we respond emotionally to art, and why we argue about which works are good. His accessible study will be invaluable to students and to all readers who are interested in the relation between thought and art.
This book investigates the fundamental nature and significance of art through a survey of philosophical theories. Richard Eldridge, drawing on classical and contemporary philosophy, literary theory, and art criticism, examines the representational, expressive, and formal dimensions of artistic works. He posits that artworks convey their subject matter in ways that hold lasting cognitive, moral, and social interest. The discussion is enriched by numerous examples and covers topics such as beauty, originality, imagination, emotional responses to art, and critical evaluation.
This accessible study by Richard Eldridge offers a clear and compact survey of philosophical theories concerning art's nature and significance. It is designed to be invaluable to students and readers interested in the relationship between thought and art. The book integrates a wide range of examples and draws from diverse fields to explore key aesthetic concepts. Its comprehensive approach covers representational, expressive, and formal aspects, as well as the emotional and critical dimensions of artistic engagement.
Page Count:
493
Publication Date:
2000-11-01
Publisher:
Zondervan
ISBN-10:
1841154237
ISBN-13:
9781841154237
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