
Søren Kierkegaard: Subjectivity, Irony, and the Crisis of Modernity examines the thought of Søren Kierkegaard, a unique figure, who has freeired, provoked, fascinated, and irritated people ever since he walked the streets of Copenhagen. At the end of his life, Kierkegaard said that the only model he had for his work was the Greek philosopher Socrates. This work takes this statement as its point of departure. Jon Stewart explores what Kierkegaard meant by this and to show how different aspects of his writing and argumentative strategy can be traced back to Socrates. The main focus is The Concept of Irony, which is a key text at the beginning of Kierkegaard's literary career. Although it was an early work, it nevertheless played a determining role in his later development and writings. Indeed, it can be said that it laid the groundwork for much of what would appear in his later famous books such as Either/Or and Fear and Trembling.
This work investigates the foundational influence of Socratic irony on the philosophical development and argumentative strategies of Søren Kierkegaard. Jon Stewart, a scholar specializing in Kierkegaardian studies, utilizes a rigorous textual analysis of Kierkegaard's early and late works to argue that the Danish philosopher's self-identification with Socrates is the key to understanding his broader project. By examining the structural parallels between Socratic questioning and Kierkegaard's own literary methods, the author provides a framework for interpreting the transition from early academic writing to later existential treatises.
What You Will Find
Scope Limits
Scholars recognize this text as a significant contribution to the understanding of Kierkegaard's early intellectual formation. Readers frequently note the academic density of the prose, which is intended for those already familiar with the primary philosophical texts.
Page Count:
228
Publication Date:
2015-01-01
Publisher:
OUP Oxford
ISBN-10:
0191064807
ISBN-13:
9780191064807
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