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English is the 'second language' of A la recherche du temps perdu. Although much has been written about Proust's debt to English literature, especially Ruskin, Daniel Karlin is the first critic to focus on his knowledge of the language itself - on vocabulary, idiom, and etymology. He uncovers an 'English world' in Proust's work, a world whose social comedy and artistic values reveal surprising connections to some of the novel's central preoccupations with sexuality and art. Anglomanie- the fashion for all things English - has been as powerful a presence in French culture as hostility to perfide Albion; Proust was both subject to its influence, and a brilliant critic of its excesses. French resistance to imported English words remains fierce to this day; but Proust's attitude to this most contentious aspect of Anglo-French relations was marked by his rejection of concepts of national and racial 'purity', and his profound understanding of the necessary 'impurity' of artistic creation.
This work investigates the specific influence of the English language on Marcel Proust’s A la recherche du temps perdu, challenging traditional views of the novel as a purely French construct. Daniel Karlin, a scholar of nineteenth-century literature, examines Proust’s engagement with English vocabulary, idiom, and etymology. By analyzing the author's personal linguistic habits and the broader cultural context of 'Anglomanie,' Karlin argues that Proust viewed the 'impurity' of language as a vital component of artistic creation.
What You Will Find
Scope Limits
Scholars recognize this text as a specialized contribution to Proustian studies that successfully bridges the gap between linguistics and literary analysis. Readers frequently note the academic density of the prose, which is best suited for those already familiar with the primary source material.
Page Count:
242
Publication Date:
2005-01-01
Publisher:
Oxford University Press
ISBN-10:
0191514519
ISBN-13:
9780191514517
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