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Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into two parts. The first part, on 'The Culture', situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor ('The Order of Persons') surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to trace the evolution of textual culture in England during the 'Middleton century' (1580-1679). Ten original essays then focus on Middleton's connections to different aspects of textual culture in that century: authorship (by MacD. P. Jackson), manuscripts (Harold Love), legal texts (Edward Geiskes), censorship (Richard Burt), printing (Adrian Weiss), visual texts (John Astington), music (Andrew Sabol), stationers and living authors (Cyndia Clegg), posthumous publishing (Maureen Bell), and early readers (John Jowett). The second part, 'The Texts', supplies the documentation for claims made in the first part. This includes detailed evidence for the canon and chronology of Middleton's works in all genres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. A full editorial apparatus is supplied for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an exact transcription of all original stage directions. Cross-references make it easy to move between the two volumes. This authoritative account of the early texts include
This volume investigates the complex relationship between Thomas Middleton’s body of work and the broader mechanisms of textual production, circulation, and reception in early modern England. Editors Gary Taylor and John Lavagnino, both established scholars in Renaissance studies, utilize corpus-based attribution techniques and historical analysis to provide a comprehensive framework for understanding how Middleton’s texts were created and consumed between 1580 and 1679.
What You Will Find
Scope Limits
Scholars in the field of Renaissance literature identify this text as a foundational resource for understanding the technical and social history of early modern printing. The prose is noted for its high academic density and rigorous attention to bibliographical detail, making it a primary reference for researchers and students of textual criticism.
Page Count:
1183
Publication Date:
2007-01-01
Publisher:
OUP Oxford
ISBN-10:
0191568554
ISBN-13:
9780191568558
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