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Emma (1816), is Jane Austen's comic masterpiece in which Emma Woodhouse finds her match-making skills sadly misdirected as she learns humility and self-knowledge at the same time as she discovers love. This edition features a new Introduction by Penelope Fitzgerald which examines the pleasure given by Emma's reassuringly stable world as well as by its comedy, and examines the relationships, imagery, and continuing power of Austen's last and perhaps greatest novel.
Emma Woodhouse, a wealthy and self-assured young woman, inadvertently disrupts the social order of her small village by meddling in the romantic lives of her acquaintances. Convinced of her own superior judgment, Emma attempts to orchestrate matches for those around her, often ignoring the genuine desires of the individuals involved. Her primary opposition arises from the pragmatic and observant Mr. Knightley, who frequently challenges her assumptions and highlights the consequences of her interference. The narrative unfolds through a third-person limited perspective, focusing on Emma's internal rationalizations and her gradual realization of her own fallibility within the rigid social framework of Highbury.
Readers and critics frequently highlight the precision of Austen's prose and her ability to balance sharp social critique with genuine character development. Discussion often centers on the complexity of the protagonist, as her flaws and eventual growth provide a nuanced look at the limitations placed on women of her time. The atmosphere of the novel is often described as both stable and claustrophobic, reflecting the rigid expectations of the landed gentry. Many readers appreciate the intellectual rigor of the interactions between Emma and Mr. Knightley, which serve as the moral anchor of the story. The work remains a subject of study for its structural integrity and its enduring commentary on the dangers of arrogance.
Page Count:
464
Publication Date:
1999-09-16
Publisher:
Oxford University Press
ISBN-10:
0192100300
ISBN-13:
9780192100306