
More Time studies the contemporary short story and focuses on four recent collections: Alice Munro's Dear Life (2012); Andre Dubus's Dancing After Hours (1996); Joy Williams's The Visiting Privilege (2015); and Lydia Davis's Can't and Won't (2014). Each publication has appeared near the conclusion of a career devoted all but exclusively to short stories, with each defining a 'late style' honed over a lifetime. As well, each diverges from others in ways that have profoundly shaped our generic conceptions, and collectively they represent the four most innovative practitioners of the past half-century (with the arguable exception of Raymond Carver). Yet in an era when writing programs, The New Yorker, and distinguished journals all promulgate the short story, it remains relatively under-examined as a major literary form. We continue to argue about what a story inherently is, ignoring how differences among practitioners enliven the field. Dubus, Munro, Williams, and Davis each defy critical efforts to identify the story form's presumed constitution, marked by a supposedly special shape or requisite length or distinct narrative trajectory. And the very contrast among their efforts reveals the expansiveness of the genre, though few have taken such a cross-glancing interpretive approach. This volume opens up discussion, shifting from close analysis into larger speculation about possibilities established by the most innovative writers in their later work.
This volume investigates how the concept of 'late style' manifests in the contemporary short story through the work of four seminal practitioners. Mitchell, a scholar of American literature, utilizes close textual analysis of specific collections to argue that these authors have expanded the boundaries of the short story form. By examining the late-career output of Munro, Dubus, Williams, and Davis, the author challenges traditional critical definitions regarding the length, structure, and narrative trajectory of the genre.
What You Will Find
Scope Limits
Scholars and critics recognize this work as a significant contribution to the study of contemporary short fiction. Readers frequently note the academic density of the prose and the value of the author's cross-glancing interpretive approach to established literary figures.
Page Count:
222
Publication Date:
2019-01-01
Publisher:
OUP Oxford
ISBN-10:
0192575805
ISBN-13:
9780192575807
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