
First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the Second Edition, "to blend the two kinds of romance: the ancient and the modern." Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole's own favorite among his numerous works. The novel is reprinted here from a text of 1798, the last that Walpole himself prepared for the press.
A sudden, inexplicable death at a wedding celebration triggers a series of supernatural events that threaten the lineage of the usurper Manfred. Manfred, the lord of Otranto, seeks to secure his family's future through marriage and inheritance, but he finds himself thwarted by ancient prophecies and spectral manifestations. As he attempts to manipulate those around him, he faces opposition from both the rightful heirs and the mysterious forces haunting his castle. The narrative utilizes a dramatic, heightened tone to explore themes of tyranny, guilt, and the weight of ancestral sins within a claustrophobic, labyrinthine setting.
Discussion often centers on the work's status as the foundational text of the Gothic genre, establishing tropes that would influence literature for centuries. Readers frequently highlight the rapid, almost frantic pacing that prioritizes immediate sensation over slow-burn character development. Critics often note the intentional artifice of the prose, which reflects the author's desire to bridge the gap between medieval romance and contemporary realism. The atmospheric density of the castle setting is frequently cited as a primary element that sustains the reader's interest despite the stylized and sometimes archaic dialogue.
Page Count:
125
Publication Date:
1996-10-17
Publisher:
Oxford University Press
ISBN-10:
0192823515
ISBN-13:
9780192823519
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