
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
This book investigates the complex interplay between Wagnerian influence, French national identity, and stylistic evolution within the operatic repertory of late nineteenth-century France. Steven Huebner, a scholar of music history, utilizes a combination of archival research and musical analysis to examine how composers navigated the tension between German aesthetic dominance and the desire for a distinctively French musical voice. The work provides a comprehensive framework for understanding the transition from the grand traditions of the mid-century to the modern sensibilities emerging at the turn of the century.
What You Will Find
Experts recognize this work as a foundational text for understanding the operatic landscape of late nineteenth-century France. Scholars frequently cite the book for its balanced approach to both canonical favorites and neglected repertoire.
Page Count:
544
Publication Date:
1999-12-09
Publisher:
Clarendon Press
ISBN-10:
0198162804
ISBN-13:
9780198162803
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