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Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals.This volume collects Euipides' Alcestis (translated by William Arrowsmith), a subtle drama about Alcestis and her husband Admetos, which is the oldest surviving work by the dramatist; Medea (Michael Collier and Georgia Machemer), a moving vengeance story and an excellent example of the prominence and complexity that Euripides gave to female characters; Helen (Peter Burian), a genre breaking play based on the myth of Helen in Egypt; and Cyclops (Heather McHugh and David Konstan), a highly lyrical drama based on a celebrated episode from the Odyssey. This volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.
This collection presents four foundational works of Greek drama, each exploring the volatile intersection of human hubris, divine intervention, and the constraints of fate. The protagonist of each play faces a distinct existential crisis, ranging from the sacrificial devotion of Alcestis to the calculated vengeance of Medea, the identity displacement of Helen, and the chaotic encounter with the Cyclops. These narratives operate within the rigid structural framework of Attic tragedy, utilizing chorus-driven commentary and elevated verse to examine the moral and logical boundaries of the ancient world. The translations prioritize poetic resonance over literal transcription, aiming to capture the rhythmic intensity of the original Greek compositions.
Discussion often centers on the effectiveness of the modern poetic approach in rendering ancient Greek meter into accessible English verse. Readers frequently highlight the stark contrast between the intense psychological realism of Medea and the more experimental, genre-bending structure of Helen. Critics note that the inclusion of both tragedy and satyr drama provides a comprehensive view of the dramatist's range and thematic preoccupations. The balance between academic rigor and literary readability makes this volume a frequent point of reference for those interested in the evolution of classical theater. Scholars and enthusiasts alike appreciate how the translations maintain the gravity of the original texts while ensuring the dialogue remains vibrant for contemporary audiences.
Page Count:
502
Publication Date:
2011-01-01
Publisher:
Oxford University Press
ISBN-10:
0199830924
ISBN-13:
9780199830923
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