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Beethoven's Ninth Symphony has held musical audiences captive for close to two centuries. Few other musical works hold such a prominent place in the collective imagination; each generation rediscovers the work for itself and makes it its own. Honing in on the significance of the symphony in contemporary culture, this book establishes a dialog between Beethoven's world and ours, marked by the earthshattering events of 1789 and of 1989. In particular, this book outlines what is special about the Ninth in millennial culture. In the present day, music is encoded not only as score but also as digital technology. We encounter Beethoven 9 flashmobs, digitally reconstructed concert halls, globally synchonized performances, and other time-bending procedures. The digital artwork 9 Beet Stretch even presents the Ninth at glacial speed over twenty-four hours, challenges our understanding of the symphony, and encourages us to confront the temporal dimension of Beethoven's music. In the digital age, the Ninth emerges as a musical work that is recomposed and reshaped-and that is robust enough to live up to such treatment-continually adapting to a changing world with changing media.
This book investigates how Beethoven's Ninth Symphony maintains its cultural prominence and adaptability within the context of modern digital technology and contemporary society. Alexander Rehding, a professor of music at Harvard University, utilizes historical analysis and media theory to examine the symphony's evolution from its 19th-century origins to its current status as a malleable digital artifact. The author argues that the work's structural robustness allows it to survive and thrive through constant technological reinterpretation and global performance practices.
What You Will Find
Scope Limits
Scholars and musicologists frequently cite this work as a significant contribution to the study of musical reception history in the digital age. Readers often note the accessible yet intellectually rigorous prose, which bridges the gap between traditional musicology and modern media studies.
Page Count:
176
Publication Date:
2017-01-01
Publisher:
Oxford University Press
ISBN-10:
019029972X
ISBN-13:
9780190299729
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