Author Description

The Buddhist priest Kukai (774-835) is credited with the introduction and formal establishment of tantric -- or esoteric -- Buddhism in early ninth-century Japan and the founding of the Shingon school. In The Weaving of Mantra, author Ryuichi Abe examines this important religious figure -- neglected in modern academic literature -- and his profound influence on Japanese culture. Offering a radically new approach to the study of early religious history -- combining historical research, discourse analysis, literary criticism, and semiology -- Abe contends that the importance of Kukai's establishment of esoteric Buddhism lay not in the foundation of the Shingon sect but in his creation of a general theory of language grounded in the ritual speech of mantra. The Weaving of Mantra embeds Kukai within the fabric of political and social life in ninth-century Japan and explains how esoteric Buddhism played a critical role in many societal changes in Japan -- from the growth of monasteries into major feudal powers to the formation of the native phonetic alphabet, kana. As Abe illustrates, Kukai's writings and the new type of discourse they spawned also marked Japan's transition from the ancient order to the medieval world, replacing Confucianism as the ideology of the state. Abe begins by placing Kukai's life in the historical context of medieval Japan and the ritsuryo state, then explores his interaction with the Nara Buddhist intelligentsia, which was seminal to the invention of esoteric Buddhism; discusses his magnum opus, Ten Abiding Stages on the Secret Mandalas (Himitsu mandara jujushinron); and introduces a number of Japanese and Chinese primary-source texts previously unknown byWestern-language scholars. Instead of tracing Kukai's thought through literal readings, The Weaving of Mantra explores the rhetorical strategies Kukai employed in his works, shedding valuable light on what his texts meant to his readers and what his goals were in creating a discourse that