
Ovid's extraordinary story of Thebes' founding and bloody unravelling spans two books of his epic poem, the Metamorphoses. His bizarre refractions of the well-ordered community engage Ovid's own Rome and the mythohistory of the Eternal City's origins, most particularly as framed in Vergil's Aeneid (Vergil's poem attained nonpareil status as the Latin epic soon after publication). The Aeneid has regularly been read as persuasively formulating how and why Rome will stride forward into history, into manifest destiny, and into `empire without end'. The Metamorphoses' strangely fantastical surface reflects what is already inherently perverse in that master-narrative, disclosing the narrative's internal contradictions. Ovid rigorously and sceptically not only interrogates the existing (Roman) political order, claimed as lasting truth, but also the very possibility of organizing any polity into a harmonious, organically unified, lasting institution.
This work investigates how Ovid’s depiction of Thebes in the Metamorphoses serves as a critical counter-narrative to the political ideology of Augustan Rome. Micaela Janan, a scholar of classical literature, utilizes close textual analysis to compare Ovid’s mythic account with the foundational Roman narrative established in Vergil’s Aeneid. She argues that Ovid intentionally constructs a fractured, perverse version of community to expose the inherent contradictions and instability within the Roman imperial project.
What You Will Find
Scope Limits
Scholars recognize this text as a significant contribution to the study of Ovidian skepticism and the political subtext of Roman epic poetry. Readers frequently note the academic density of the prose, which is intended for advanced students and researchers of classical literature.
Page Count:
288
Publication Date:
2009-01-01
Publisher:
OUP Oxford
ISBN-10:
019157225X
ISBN-13:
9780191572258
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