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During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, other music claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.
This book investigates the validity of cultural relativism by questioning whether classical music possesses inherent values that distinguish it from popular entertainment. Julian Johnson, a musicologist, utilizes a philosophical framework to challenge the contemporary consensus that all musical forms are of equal cultural weight. He argues that classical music functions through distinct cognitive and aesthetic mechanisms that demand a different level of engagement than background or popular music, thereby asserting its unique role in modern society.
What You Will Find
Critics and scholars frequently cite this work as a significant contribution to the debate over aesthetic hierarchy in the arts. Readers often note the intellectual rigor of the prose, which serves as a foundational text for those interested in the sociology of music.
Page Count:
152
Publication Date:
2011-01-01
Publisher:
Oxford University Press
ISBN-10:
019983119X
ISBN-13:
9780199831197
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