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In this exploration of contemporary photography, David Levi Strauss questions the concept that “seeing is believing” Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. In the first ekphrasis title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of “fake news,” Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.
This book investigates the historical and contemporary relationship between photography and belief, particularly in an era saturated with digital manipulation and pervasive media. David Levi Strauss, an established voice in photography criticism, examines how photographic images have acquired immense power to shape public opinion, incite action, and influence desire. He questions the traditional adage that 'seeing is believing,' exploring how advancements in technology like Photoshop, smartphones, and the internet are altering our trust in visual information and potentially fraying our connection to reality.
The book is positioned as a critical examination of photography's influence in the digital age, directly addressing contemporary concerns about 'fake news' and the erosion of trust in visual media. Strauss's work is likely to appeal to readers interested in media theory, art criticism, and the philosophy of perception, offering a nuanced perspective on how technological shifts impact our relationship with images. The author's engagement with the history of photography suggests a text that balances historical context with urgent present-day questions about authenticity and belief.
Page Count:
96
Publication Date:
2020-10-27
Publisher:
David Zwirner Books
ISBN-10:
164423047X
ISBN-13:
9781644230473
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